The biggest reveal of the series, Jon Snow is the child of Lyanna Stark and Rhaegar Targaryen, has a score to match its significance and it’s a heartbreaker. But then Arya does her knife trick, the White Walkers turn into Slurpees, and we’re left to mourn the aftermath of the battle with sombre violins. Right when all hope is lost and The Night King closes in on Bran, the score slows down to a single piano (a rarity, we’ll get to that in a sec) and we brace for the worst. Djawadi wrote triple the amount of music because of the episode’s run time and it moves beautifully from the anticipation of the White Walkers’ arrival to the gigantic, bone-crunching life or death battle. People complained they had difficulty seeing anything during the Battle of Winterfell, but you could definitely hear the epic score. Outside of the themes for each house, Lord of the Light perfectly enhances the mystery surrounding Melisandre to create a sense of unease. Lots of melancholic sounding strings that carry the burden of House Stark, probably hanging out in the freezing cold crypt.ĭark magic is afoot when you hear Melisandre’s Theme, a creepy combination of strings, organs, chants and synthesisers. When you hear this theme, you can picture the family and the weight of their honour and responsibility. The score is a combination of Daenery’s theme (‘Love in the Eyes’) and the main theme, and it’s one of the show’s most enduring moments before things got…crispy.ĭjawadi composed a theme for each house and one of the most evocative tracks is the one associated with the Starks. Daenerys steps into the crowd and they lift her up on their shoulders like it’s the 1998 Big Day Out and the track ‘Mhysa’ kicks into gear. Daenerys frees the Yunkish slaves in the final moment of season three and they chant, ‘Mhysa’, which means: mother. Remember when Daenerys was freeing slaves instead of burning innocent people alive? Good times. Portman’s vocal performance is excellent, but he was one-upped by Florence and the Machine who recorded a version that played over the credits.
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The song alludes to the situation between Jon and Daenerys, and it’s great when a tune does a little thematic heavy lifting on the show. The song first appears in the book A Storm of Swords and it’s about a Targaryen who gave up his claim to the throne to be with a commoner. As forces gathered in Winterfell to await the arrival of the White Walkers, in a subdued moment, Podrick (Daniel Portman) sings ‘Jenny of Oldstones’. Needle weaves together Arya’s theme (‘ Valar Morghulis‘) with an uplifting melody to match Arya’s personal victory.īefore all hell broke loose in the final season there was time for a nice song.
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Braavos was no picnic for Arya, training to be ‘No One’ was brutal, so to witness her get the upper hand was one of the rare fist-pump moments in the series and the music makes this moment soar. The closest the series gets to giving Arya a Rocky theme.